A Kiwi comedy about kinship
Tuesday, April 1, 2025
Peter Jackson’s Tolkien adaptations aren’t the only quality cinematic exports of note from New Zealand in recent years. A lesser-known Kiwi gem, released in 2016, is Hunt for the Wilderpeople, an adventure comedy/drama directed and written by Taika Waititi and adapted from Barry Crump’s novel Wild Pork and Watercress. One of these “wilderpersons” is Ricky Baker (Julian Dennison), a misfit foster child who is sent to live with Bella (Rima Te Wiata) and Hec Faulkner (Sam Neill) in the remote countryside. When Bella unexpectedly dies, authorities threaten to take Ricky back into state care, prompting him to flee into the wilderness. Hec, his gruff and reluctant guardian, follows in an attempt to bring him home, but the situation spirals out of control as the two inadvertently become fugitives, triggering a nationwide manhunt. Paula (Rachel House), the overzealous child welfare officer, becomes determined to track them down, leading to a wild and comedic chase through the rugged New Zealand bush.
Celebrated for its seamless mix of humor and heartfelt storytelling, the film pairs breathtaking landscapes with an eccentric yet deeply moving tale of friendship and self-discovery. The chemistry between actors Neill and Dennison is palpable, crucial for viewers to believe in their unlikely pairing. Neill's veteran presence lends thespian gravitas to a film that might otherwise be perceived as less serious. Fortunately, Wilderpeople avoids maudlin tendencies, excessive sentimentality, and the portrayal of Ricky as an overly precocious or cloying child character.
While the film’s comedic sensibilities occasionally veer into eye-rolling silliness, as evidenced by Paula and Andy’s Keystone-cop-like bumbling, most of the laughs are well-earned and surprisingly funny, particularly in the priest’s eulogy scene for Bella, Ricky’s references to the "skux life," his overconfidence in his hunting skills, and Hector’s use of the word "majestical."
Hunt for the Wilderpeople neatly fits into multiple subgenres: road movie, buddy picture, quirky comedy, coming-of-age story, and touching family drama. The film's chaptered structure, combined with its often over-the-top comedy and side characters—such as Paula, Andy, and Psycho Sam—gives it a distinct storybook fantasy feel. As Angie Han of Slash Film observes, "Wilderpeople isn't a fantasy, per se, but it's grounded in the same sort of exaggerated kid logic that guides children's stories like 'James and the Giant Peach' and 'Matilda'…the entire movie feels like a children's book come to life." She also notes, " Wilderpeople feels like a throwback to '80s adventure films in some ways, but it mostly just feels like a new childhood classic…It’s not tough to imagine kids falling this movie today and feeling nostalgic about it 10 or 20 years down the line, the way Millennials and Gen Xers today wax rhapsodic about The Goonies.”
On that note of nostalgia, consider how the film possesses a retro aesthetic, thanks to director Taika Waititi's use of grandiose helicopter and drone shots, crash zooms, 360-degree pans, and rugged mobile camera work during chase sequences. Additionally, Wilderpeople features a diverse and eclectic soundtrack, incorporating old and new music from artists like DD Smash, Nina Simone, Leonard Cohen, the Bolshoi Children's Choir, Moniker, and the Alessi Brothers.
We can easily read this movie as a moral on adventuring as a means of processing grief: Hector and Ricky, both devastated by Bella’s death, embark on an escape, allowing them to express painful feelings and memories and forge an emotional bond. But it’s also a robust rumination on nonconformist clans, demonstrating that loving families come in various forms. Bella and Hector’s unconventional acceptance of Ricky into their household, Hector’s eventual father-figure role, Kahu and her father’s compassionate support, and Psycho Sam’s kindness all illustrate this.
Hunt for the Wilderpeople demonstrates the “opposites attract” truism, too, serving as a platonic love story between Ricky and Hector – who, despite their stark differences, form a connection through shared experiences. And we’re reminded, of course, that necessity is the mother of invention, as demonstrated by how Ricky and Hector are forced to improvise in the bush and adapt to their circumstances. Ironically, Ricky’s resourcefulness becomes crucial when Hector is injured.
To listen to a recording of our CineVerse group discussion of Hunt for the Wilderpeople, conducted last week, click here.
Celebrated for its seamless mix of humor and heartfelt storytelling, the film pairs breathtaking landscapes with an eccentric yet deeply moving tale of friendship and self-discovery. The chemistry between actors Neill and Dennison is palpable, crucial for viewers to believe in their unlikely pairing. Neill's veteran presence lends thespian gravitas to a film that might otherwise be perceived as less serious. Fortunately, Wilderpeople avoids maudlin tendencies, excessive sentimentality, and the portrayal of Ricky as an overly precocious or cloying child character.
While the film’s comedic sensibilities occasionally veer into eye-rolling silliness, as evidenced by Paula and Andy’s Keystone-cop-like bumbling, most of the laughs are well-earned and surprisingly funny, particularly in the priest’s eulogy scene for Bella, Ricky’s references to the "skux life," his overconfidence in his hunting skills, and Hector’s use of the word "majestical."
Hunt for the Wilderpeople neatly fits into multiple subgenres: road movie, buddy picture, quirky comedy, coming-of-age story, and touching family drama. The film's chaptered structure, combined with its often over-the-top comedy and side characters—such as Paula, Andy, and Psycho Sam—gives it a distinct storybook fantasy feel. As Angie Han of Slash Film observes, "Wilderpeople isn't a fantasy, per se, but it's grounded in the same sort of exaggerated kid logic that guides children's stories like 'James and the Giant Peach' and 'Matilda'…the entire movie feels like a children's book come to life." She also notes, " Wilderpeople feels like a throwback to '80s adventure films in some ways, but it mostly just feels like a new childhood classic…It’s not tough to imagine kids falling this movie today and feeling nostalgic about it 10 or 20 years down the line, the way Millennials and Gen Xers today wax rhapsodic about The Goonies.”
On that note of nostalgia, consider how the film possesses a retro aesthetic, thanks to director Taika Waititi's use of grandiose helicopter and drone shots, crash zooms, 360-degree pans, and rugged mobile camera work during chase sequences. Additionally, Wilderpeople features a diverse and eclectic soundtrack, incorporating old and new music from artists like DD Smash, Nina Simone, Leonard Cohen, the Bolshoi Children's Choir, Moniker, and the Alessi Brothers.
We can easily read this movie as a moral on adventuring as a means of processing grief: Hector and Ricky, both devastated by Bella’s death, embark on an escape, allowing them to express painful feelings and memories and forge an emotional bond. But it’s also a robust rumination on nonconformist clans, demonstrating that loving families come in various forms. Bella and Hector’s unconventional acceptance of Ricky into their household, Hector’s eventual father-figure role, Kahu and her father’s compassionate support, and Psycho Sam’s kindness all illustrate this.
Hunt for the Wilderpeople demonstrates the “opposites attract” truism, too, serving as a platonic love story between Ricky and Hector – who, despite their stark differences, form a connection through shared experiences. And we’re reminded, of course, that necessity is the mother of invention, as demonstrated by how Ricky and Hector are forced to improvise in the bush and adapt to their circumstances. Ironically, Ricky’s resourcefulness becomes crucial when Hector is injured.
Similar works
- Paper Moon (1973) – A con artist and a clever young girl travel the Depression-era Midwest, pulling small-time scams.
- On Golden Pond (1981) – Another unconventional relationship between an older man and a young adolescent in a rural location.
- Where the Wild Things Are (2009) – A lonely boy escapes to an island of creatures reflecting his emotions and struggles.
- Up (2009) – A widower and an eager boy scout embark on a balloon-powered adventure to South America.
- Moonrise Kingdom (2012) – Two young lovers run away together, prompting a quirky island-wide search.
- Captain Fantastic (2016) – A father raising his kids off-grid must reintegrate them into society after a family tragedy.
- The Peanut Butter Falcon (2019) – A runaway with Down syndrome and a drifter form an unlikely bond while chasing their dreams.
Other films by Taika Waititi
- Boy (2010)
- What We Do in the Shadows (2014)
- Thor: Ragnarok (2017)
- Jojo Rabbit (2019)